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CHORD-TONE SOLOING 吉他 和弦 獨奏 教材

CHORD-TONE SOLOING

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CHORD-TONE SOLOING

If you’re a singer who performs anywhere outside the studio, a hand-held dynamic microphone is usually your best choice for rugged, reliable, consistent sound.

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If you’re a singer who performs anywhere outside the studio, a hand-held dynamic microphone is usually your best choice for rugged, reliable, consistent sound.

分類: ,
  • Table of Contents
  • Introduction
  • About the Audio
  • Part I: A Preview to Chord-Tone Soloing ..
  • Chapter 1: Let's Jam.
  • Chapter 2: Chord-Tone Targets on a Basic Blues
  • Part lI: A Solid Foundation .
  • Chapter 3: Getting Serious About Practicing
  • Chapter 4: Timing ...
  • Chapter 5: The Five Patterns
  • Chapter 6: Major Scales
  • Chapter 7: Intervals
  • Chapter 8: Chords and Arpeggios
  • Chapter 9: Diatonic Harmony
  • Chapter 10: Finding Key Centers
  • Chapter 11: Minor Scales and Keys
  • Chapter 12: Modes .
  • Chapter 13: Extensions
  • Chapter 14: Modal Interchange, Secondary Dominants, and Modulation Part III: Chord-Tone Soloing Exercises Chapter 15: 3rds and 7ths
  • Chapter 16: The Frosty Fretboard
  • Chapter 17: Arpeggiation
  • Chapter 18: Targeting 1, 3, 5, or 7
  • Chapter 19: Steady Eighth-Note Lines
  • Chapter 20: Scalar Connection to Any Chord Tone
  • Chapter 21: Ascending Arpeggios and Descending Scale:
  • Chapter 22: Choosing Your Targets

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